Lisa Glicksman

Lisa Glicksman's picture
Altered Barbie Mailing List: 
Not subscribed to Altered Barbie

Personal Information

Full Name
Lisa Glicksman
Artist Bio

2009 NOT BLACK & WHITE, Solo show, Frank Bette Center for the Arts, Alameda, California
2008 AERIAL SUSPENSION, Frank Bette Center for the Arts, Alameda, California
COME RIGHT IN, SIT RIGHT DOWN, Frank Bette Center for the Arts, Alameda, California
ALL MIXED UP, Artisan’s Art Gallery, San Rafael, California
SECRETS, Artisan’s Art Gallery, San Rafael, California
2007 ALL MIXED UP, Artisan’s Art Gallery, San Rafael, California
2006 TRANSITIONS, Plaza Arts Center, Healdsburg, California
2005 WORD & IMAGE, O’Hanlon Center for the Arts, Mill Valley, California
2004 JURIED ANNUAL, Pro Arts Gallery, Oakland, California
2003 NEW VISIONS: INTRODUCTIONS, Pro Arts Gallery, Oakland, California
2001-2006 EAST BAY OPEN STUDIOS, Oakland, California

Selected Publications
ARTFUL STORYBOOKS   Terry Taylor, Lark Books 2008
50 NIFTY BEADED CARDS  Chris Rankin, Lark Books 2008
ARTFUL PAPER DOLLS   Terry Taylor, Lark Books 2006
ALTERED ART   Terry Taylor, Lark Books 2004
THE STAMP ARTISTS PROJECT BOOK    Sharilyn Miller, Rockport Publishers 2001 
        

Artist Statement

This Altered Barbie show presented an opportunity to consider my complex feelings towards this iconic figure. On the occasion of Barbie’s 50th birthday, it seemed like an appropriate time to have a reunion. Having survived this rite of passage myself, it was time to reflect.

Initially I planned to use my beloved childhood dolls for this project (yes, I still have them). I couldn’t bring myself to decapitate, paint or otherwise denude them. Fortunately, The East Bay Depot for Creative Reuse had an excellent selection. Later, I realized these were Asian Barbies. The one from the Philippines had articulated hands. Both the Chinese and Indonesian Barbie had underwear chastely printed on their nether regions. Chinese Barbie had a headset sewn to her head….Call Center Barbie?

Of course, Barbie set impossible standards for us little girls. Yet one must admit she has led an adventurous life. Separated from feminist concerns, I take genuine pleasure in her fantastic wardrobe. Perhaps she inspired a love for detail that informs my artwork now. As a sculpture, Barbie’s feet continue to frighten me, but her hands are undeniably beautiful.
For “Measurements,” I have repurposed an abandoned drawer for Barbie to inhabit. Ken is spying on her through the window. Barbie herself is painted purple and covered in eggshell mosaic. Since so much of Barbie’s appeal is tied to sexuality, I wanted to make a piece that explored her relationship with Ken.

“Cleanliness (Is Next to Godliness)” continues my series of paper clotheslines. I wanted to make outfits for Barbie using her own image. However, I’m sure Barbie would not use a clothesline herself. She probably had an endorsement deal with Maytag.

“His & Hers” features more paper clothes, riffing on pink for girls, blue for boys. I’ve heard it’s now OK for boys to like pink. That may not be peace on earth or the falling of the Berlin Wall, but it is progress.

History

Member for
16 years 9 months